Censor/Check

Bob Zemeckis developed a real appreciation for vintage cartoons.  The very early animators knew that their films would only ever be viewed on a theater screen for a period of weeks… and likely never seen again.   Film rolls by at 24 frames per second and a single frame cannot be perceived consciously.  …

Jacques Muller – 40 Years of Animated Cartoons

  Jacques Muller grew up in France and, after doing his compulsory military service, got a job doing storyboards on the France 3 television series, ‘Il était un fois… l’homme’ (‘Once Upon a Time… Man‘) from 1978.  Later in 1981, he became friends with Alain Costa who was working at Paul Grimault.  …

Gag Drawings 2 – Tom Sito

  see previous post:  https://pullingarabbitoutofahat.com/animation-the-forum/gag-drawings-chr…ife-at-the-forum/   There was a wonderful camaraderie amongst the crew at The Forum in London, although for much of the production the press was ‘on’ and they rarely left their floor during the workday.  The animators were on the 5th floor of The Forum building – …

Annie Elvin

Annie Elvin had a rich film pedigree.  Her father was a film editor at Gainsborough Studios and her husband worked in the live-action film industry in Britain.  Annie started off as an actress – even working with Bob Hoskins in the theatre.  She also did some voice-acting.  She got involved …

Gag drawings – chronicling life at The Forum

Gag drawings are an outlet for frustration, a tip of the hat to colleagues, and a chronicling of life during the production of any animated film.  Who framed Roger Rabbit was no different – and on its crew was the master of the gag drawing, Tom Sito.

Tom Sito gag drawing - with Ian Cook

Tom Sito gag drawing - with Andreas DejaTom Sito gag drawing - guestsTom Sito gag drawing - nightmareTom Sito gag drawing - "What will you do when the film is over?"

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